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Russia | Kino | Music

Kino 1
June 2nd, 2020

Kino

A soundtrack to the biggest change I have lived through  

Philipp Ivanov, CEO, Asia Society Australia

Brick warehouses and narrow streets of my home suburb of Collingwood cautiously awakening from the lockdown seems like a perfect modern backdrop to write about Kino – a band from another era and from my other life growing up in 1980s in another industrial suburb in Vladivostok, on Russia’s Pacific coast.

Kino – a legendary rock band formed in 1982 in Leningrad (now Saint Petersburg) by a charismatic, talented and otherworldly Victor Tsoi – to me and many of my contemporaries growing up in the dying days of the Soviet Union was not just about the music. It was about awakening from stagnant, repressive and dull physical and intellectual surroundings of the 1980s urban Russia. It was about protest without demonstrations (they will come later), freedom from adult and state rules (their tight grip still on our daily lives) and a romantic spirit of friendship, rebellion and belonging. It was about fashion – all Kino members only wore black, and we were on a continuous hunt for black clothes in Vladivostok’s poorly stocked department stores and dusty second-hand shops.

At 14, our heart is beating like a new engine
We know everything that we need to know
And we will do anything we want
Before you have ruined this whole world


Kino 'We want to dance', 1985

But first, music. We didn’t know back then that Kino was heavily influenced by the British new wave and post-punk. To us, it was the sound of the dangerous but enticing streets of Vladivostok’s grey working-class suburbs, while at the same time an escape to my friends’ kitchens – sacred places where news was exchanged, secrets shared and creativity thrived.

Unlike many bands of the '80s and '90s Russian rock scene, Kino’s sound was minimalist, unpretentious, almost bare, with an overwhelming bass, distinct electric-sounding drums, a deep scarce vocal and simple but mesmerising lyrics about love, wine, loneliness, friendship and the night (I think almost half of Kino's songs have “night” in their title and lyrics). But most importantly, it was music to dance to – ideally at night, wearing black clothes, with your best friends, and after a dash to the local shop for cheap, poisonous yet delicious, Georgian red wine.

As Kino gained a cult following all over Russia, Tsoi’s lyrics became more political. Despite never making politics a theme of his music, Tsoi made it clear that it was a time for change. And what a change it was. As the Soviet Union was crumbling under its own weight, we were all desperately seeking to understand what was coming to replace it, while clutching to the good, familiar aspects of our lives that was disappearing in front of our eyes.

Kino 2

Kino was our soundtrack. In one of his most famous songs 'I Want Changes!' (Khochu peremen!) Tsoi nailed the mood of that time – an impossible balance between wanting our country to change and our personal lives to remain familiar and safe:   

We can’t show off our wisdom
Or skilful gestures
We don’t need any of that to understand each other
Cigarettes in our pocket and tea on the table
The circle is closed
And suddenly we are afraid to change anything
Our hearts want changes
Our eyes want changes


Kino 'I Want Changes!', 1986

As the country was falling apart, Kino’s music and lyrics grew darker. When Tsoi tragically died in a car accident in 1990, many felt it was almost a logical conclusion to many of his songs, and the decade that created them. The country grieved his death like he was a family member, a close friend, a partner. Which he was to many of us. Suddenly wearing black was totally appropriate.


Details

Category: Music
Genre: Post-punk, new wave
Years: 1982 - 1990
Language: Russian

Listen to Kino on Spotify in Australia


Philipp Ivanov headshot

Philipp Ivanov, CEO, Asia Society Australia

Philipp commenced as CEO in January 2015 and is leading Asia Society Australia through a period of growth and transformation. Philipp is a China specialist with extensive experience in policy, education and research and is committed to building an Asia-connected Australia.

Previously, he was a policy officer and manager of the Australia-China Council at the Australian Government’s Department of Foreign Affairs and Trade. In this role, Philipp led the strategic renewal of the Council and had broader responsibilities for the Australia-China bilateral relationship. Philipp was one of the principal authors of the Australia in the Asian Century White Paper - China Country Strategy. 

Philipp was also Acting Director and Deputy Director of the Research Institute for Asia and the Pacific at the University of Sydney, advised the University of Sydney on their China strategy and managed La Trobe University's partnerships in the Gulf States, Vietnam and Thailand. 

Philipp spent over 6 years in China working in education and development. He is the recipient of the ‘Rose Award’ by the Shenyang Municipal Government for his contribution to Shenyang City. In 2009 he was also awarded the Australian Government’s Endeavour Executive Fellowship to research China's policies on leadership development at the China National Academy of Education Administration in Beijing.

He is a board member of the Australia-Vietnam Young Leadership Dialogue, Asia Recon, Haymarket HQ and Sydney City Council's Chinese New Year Advisory Panel. In 2015, he was invited as the only Australian to the 2015 Congress of Vienna - a preeminent global track-two dialogue on major-powers conflict, migration, equality and innovation. He is the creator of Disruptive Asia - a thought-leadership project examining the impact of Asia's rise on Australia.

Philipp has a Bachelor (Honours) degree in Chinese language and history from the Far Eastern National University in Russia. He also studied in Jilin and Liaoning Normal universities in China. He holds a Master of Educational Leadership and Management from RMIT University in Australia. He grew up in Vladivostok on Russia's Pacific coast and is a fluent Chinese and Russian speaker.

Connect with Philipp on Linkedin.

∨ Show More

The Asia Society Culture Club is your weekly dose of distraction. Bringing you the best recommendations of new and classic literature, films, tv, podcasts and more, from and on Asia. 

Drawing from a different country each week, the club is an opportunity to step outside your usual newsfeed and discover new and classic stories from across the region. Each week features a guest programmer, selected from our network of members, experts, staff and stakeholders.

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