UPCOMING EVENTS
Current Exhibitions
Shahidul Alam: Truth to Power
Shahidul Alam (b. 1955, Dhaka, Bangladesh); Smriti Azad at Protest at Shaheed Minar; Shaheed Minar, Dhaka, Bangladesh; 1994; photograph; courtesy of Shahidul Alam/Drik/Majority World
Azad attended political rallies with her sister when she was a child. A singer and performer, she was involved in the women’s movement, the committee demanding the trial of war criminals, and the cultural group Charon Shangshkritik Kenro, which led to her joining Shommilito Shangshkritik Jote. As part of this group, she was active in the movement to bring down President Ershad. Here, Azad is pictured protesting at a rally at Shahid Minar. — Shahidul Alam
Shahidul Alam (b. 1955, Dhaka, Bangladesh); Climate Refugees; river crossing between Bondor Tila Ghat in Mijhum Dwip and Moktaria Bazar in Hatiya, Bangladesh; 2009; photograph; courtesy of Shahidul Alam/Drik/Majority World
A man and two children from the low-lying areas of the Brahmaputra river look for safer shelter. The river is notorious for its eroding banks, and many Bangladeshis have lost their homes several times due to river erosion. — Shahidul Alam
Shahidul Alam (b. 1955, Dhaka, Bangladesh); Woman in Ballot Booth; Lamatia, Dhaka, Bangladesh; 1991; photograph; courtesy of Shahidul Alam/Drik/Majority World
A woman in a makeshift voting booth casts her vote after the removal of autocratic President Ershad following a sustained people's movement for democracy. To me the removal symbolized a revenge for Noor Hossain’s death. — Shahidul Alam
Shahidul Alam (b. 1955, Dhaka, Bangladesh); Sailboat Fishing for Ilish; Daulatdia, Bangladesh; 2001; photograph; courtesy of Shahidul Alam/Drik/Majority World
Sailboats are rapidly disappearing in Bangladesh, but small fishing boats still use sails, particularly during the monsoons. This photo was taken in Daulatdia in the river Padma. The Ilish fish is a delicacy in Bangladesh, and connoisseurs swear that the best Ilish is from the river Padma. It was overcast when I arrived, and the light was flat, so I stayed with the fishermen. On the third day, there was an opening in the sky, and a shaft of sunlight fell on the boats nearby. The dark clouds at the back were a perfect backdrop. The red sail was a bonus. The magical light only stayed for a few minutes, but that was enough. I had my picture. — Shahidul Alam
Shahidul Alam (b. 1955, Dhaka, Bangladesh); Airport Goodbye; Dhaka Airport, Bangladesh; 1996; photograph; courtesy of Shahidul Alam/Drik/Majority World
At Dhaka International Airport, only passengers were allowed into the terminal building. It was difficult to hear across the glass wall, except through the gap at the hinge, so people took turns speaking. One would speak, and the other would turn their head to listen. Here, a woman bids goodbye to her man, unsure of when they might meet again. — Shahidul Alam
Shahidul Alam (b. 1955, Dhaka, Bangladesh); Rohingya Refugees After Having Just Landed in Bangladesh; Shah Porir Dweep, Teknaf, Bangladesh; 2017; photograph; courtesy of Shahidul Alam/Drik/Majority World
Rohingya refugees from Myanmar rest after landing in Shah Porir Dweep in Bangladesh on the night of October 5, 2017. Having just arrived, this family has no idea where to go next. They are relieved to be alive. The following morning they went to Teknaf. The extreme violence that Buddhists have demonstrated in Thailand, Sri Lanka, and Myanmar is not limited to Buddhism alone. The violence by Muslims, Christians, Hindus, and Jews—all in the name of religion—is the bane of our world today. Being the “wrong” religion, color, race, class, or sex is the reason why entire populations have been decimated, unjust wars waged, and innocent people brutally persecuted across the globe. The photographs of Rohingya refugees fleeing persecution in Myanmar show their visible pain. The torment, the insecurity, the fear, the burning inside, the sense of eternal loss remain undocumented. — Shahidul Alam
Shahidul Alam: Truth to Power presents the first comprehensive U.S. museum survey of Shahidul Alam, the renowned Bangladeshi photographer, writer, activist, and institution builder and a Time magazine Person of the Year in 2018. Over 60 images and ephemera will show the breadth of his practice and impact throughout his four-decade career. The exhibition includes portraits, landscapes, and scenes of daily life, strife, and resistance in the "majority world" — a phrase Alam has used since the 1990s to reframe the notion of the "third world" or "global south." The term also confronts the ways in which Western media continues to define how the majority of the world's population — especially Bangladesh — is portrayed in relation to poverty and disaster.
The exhibition explores how art can be a tool for social justice. "My introduction into photography was for political reasons. It was social justice I was after and I recognized that photography was this powerful tool. And if I was going to fight, I would use the most powerful tools available. I took on photography but I'm not married to the medium. It's social justice I'm after and I will use whatever tool that works at any particular time,'" states Alam.
This pioneering exhibition aims to provide visitors with a nuanced view of Bangladesh and South Asia, to explore systems of personal and collective agency, and to underscore the importance of self-representation, empowerment, and truth as embodied in Alam's life and work.
While shining an unflinching light on major Bangladeshi tragedies and struggles, Alam's images reveal a country and cultures often misunderstood and misrepresented. In addition to his powerful photographs, Alam has made an impact in Bangladesh, across South Asia, and even globally as the conceptual architect of transformative institutions, including Drik Picture Library, Drik Gallery, Pathshala South Asia Media Institute, Chobi Mela Photography Festival, and Majority World Agency. The regional solidarity he catalyzed cannot be overstated and will be illustrated through the exhibition narrative.
Alam's role as changemaker is one he inhabits with equal resolve and energy. His belief in nurturing visual literacy has driven him to go beyond mere advocacy: Through the institutions he has built, he empowers the disenfranchised and misrepresented to tell their own stories.
Admission to this exhibition is free.
Large-print versions of the exhibition panel texts are available for use in the gallery. Please visit our Guest Services desk to request a binder containing the texts.
Hours
Thursday – Friday, 11 a.m. – 4 p.m.
Saturday – Sunday, 10 a.m. – 4 p.m.
Photography
Photography of the exhibition without flash is permitted.
One of Time Magazine’s Persons of the Year 2018, photographer, writer and curator Shahidul Alam obtained a PhD in chemistry before switching to photography. A speaker at Harvard, Oxford and Cambridge Universities, Alam has had his work exhibited in MoMA and Tate Modern. John Morris, the former picture editor of Life Magazine, described his book My journey as a witness as “the most important book ever written by a photographer.”
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Art Tours
Docent-led tours allow visitors to experience art on a personal level, learn about art historical periods and styles, and hear stories associated with the artwork. Join us for a docent-led tour of Shahidul Alam, available on the following dates:
Saturday, May 1, 2021
Saturday, May 8, 2021
Saturday, May 15, 2021
Saturday, May 22, 2021
Saturday, May 29, 2021
Learn more about our art tours »
Virtual Field Trips
Asia Society Texas Center's Virtual Field Trips, created and facilitated by Asia Society education staff and content experts, provide educationally rich, interactive opportunities for students to learn about Asian art, culture, and traditions.
All virtual field trips are FREE and tethered to the Texas Essential Knowledge and Skills (TEKS).
Virtual field trips include three components:
- A pre-lesson for teachers to facilitate in their classrooms (virtual or in-person), including:
- An "Introduction to Asia" interactive presentation highlighting essential information about Asian art, culture, geography, history, and politics
- Fun, engaging activities to spark student curiosity and interest
- An hour-long, live virtual lesson consisting of:
- A docent-led tour of our current exhibition, highlighting four items from the collection
- Educator-facilitated activities connecting the culture of the exhibition to the students' own cultures
- Hands-on learning experiences that can be easily completed from home or in the classroom
- A post-workshop lesson for teachers to facilitate in the classroom, featuring interactive projects based on the tour content.
Book your tour today
Virtual field trips are available Monday–Friday, 8:30 a.m. – 2:30 p.m. At least two weeks' notice is required for virtual field trips. Teachers will receive all supplementary curriculum materials once they sign up. For more information, please contact Jennifer Kapral, Director of Education and Outreach at JKapral@asiasociety.org.
Find audio clips and PDF downloads to complement the exhibition.
A Struggle for Democracy
Shahidul Alam first became drawn to photography through his participation in leftist social movements, and he began to see photojournalism as a form of activism.
Rejoicing at Ershad's Fall
Shahidul Alam describes the events of December 4, 1990, in Bangladesh, when a mass uprising led to the fall of President Ershad.
Photography as Tool: Kalpana's Warriors
Shahidul Alam describes the power of photography as a storytelling tool by describing his series on Kalpana Chakma, a young woman and activist who was abducted by the police.
Institution Builder
Shahidul Alam discusses the importance of training young photographers who can represent and depict their cultures from their own perspectives, as well as his efforts to found institutions that support this work.
Brahmaputra Diary
One of Shahidul Alam's long-term projects documents the different countries and cultures along the Brahmaputra River.
Keraniganj and Now
On August 5, 2018, Shahidul Alam was arrested for his public support of student protest and spent a year in jail at Keraniganj.
Shahidul's Open Letter to the Prime Minister
Hear Shahidul Alam read aloud his open letter to the Prime Minister of Bangladesh. He wrote this letter on March 27, 1992, in response to the government's censorship of news media following the president of Ershad.
Searching for Kalpana Chakma: A Photo-Forensic Study by Shahidul Alam
Sketches and Reflections on the Models of Keraniganj Jail by Sofia Karim
Shahidul Alam: Truth to Power is organized by the Rubin Museum of Art, New York, NY, with additional works organized by Asia Society Texas for the Houston presentation. All photographs are by Shahidul Alam (b.1955, Dhaka, Bangladesh) and are courtesy of Shahidul Alam/Drik/Majority World unless otherwise noted.
Exhibitions at Asia Society Texas Center are presented by Nancy C. Allen and Leslie and Brad Bucher. Major support comes from Chinhui Juhn and Eddie Allen, The Brown Foundation, Inc., Houston Endowment, and the City of Houston through Houston Arts Alliance. Generous funding also provided by The Anchorage Foundation of Texas, The Clayton Fund, Texas Commission on the Arts, National Endowment for the Arts, Wortham Foundation, Inc., Agnes Hsu-Tang, Ph.D. and Oscar L. Tang, and Olive Jenney. United Airlines is our official airline partner. Funding is also provided through contributions from the Exhibitions Patron Circle, a dedicated group of individuals and organizations committed to bringing exceptional visual art to Asia Society Texas Center.
Presenting Sponsors
Nancy C. Allen
Leslie & Brad Bucher
Chinhui Juhn & Edward Allen
Official Airline Sponsor
Program Sponsors
