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      • Afghanistan

      • American Samoa

      • Armenia
      • Australia
      • Azerbaijan
      • Bahrain
      • Bangladesh

      • Bhutan

      • Brunei

      • Cambodia

      • Central Asia
      • China
      • Cook Islands

      • Cyprus
      • East Asia
      • East Timor
      • Fiji

      • French Polynesia

      • Georgia

      • Guam
    • Column Two
      • Hong Kong
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      • Indonesia
      • Iran
      • Iraq
      • Israel
      • Japan
      • Jordan
      • Kazakhstan
      • Kiribati
      • Kuwait

      • Kyrgyzstan
      • Laos
      • Lebanon
      • Macau
      • Malaysia
      • Maldives
      • Marshall Islands
      • Micronesia

      • Mongolia

    • Column Three
      • Myanmar

      • Nauru

      • Nepal

      • New Caledonia

      • New Zealand

      • Niue
      • North Korea

      • Northern Marianas
      • Oceania
      • Oman

      • Pakistan

      • Palau
      • Palestine

      • Papua New Guinea
      • Philippines
      • Qatar

      • Samoa
      • Saudi Arabia
      • Singapore

      • Solomon Islands

    • Column Four
      • South Asia
      • Southeast Asia
      • South Korea
      • Sri Lanka
      • Syria
      • Taiwan
      • Tajikistan
      • Thailand
      • Tibet
      • Tokelau
      • Tonga
      • Turkey

      • Turkmenistan

      • Tuvalu
      • United Arab Emirates
      • Uzbekistan
      • Vanuatu
      • Vietnam
      • Wallis and Futuna
      • West Asia
      • Yemen
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Keyword: visual arts

Interview: Art Conservation Guru Preserves Sacred Paintings' Spiritual, Material Sides

Anupam Sah (R) is the Head of Art Conservation at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya's Art Conservation Centre (L) in Mumbai. (Robert Cutts/Flickr)
Arts
"The thangka ... are means for the Buddhists to achieve their aim of spiritual development, and are not just material works of art,” says a noted Mumbai art conservator.
July 10th by Paul Chung

Photos: Authenticity, 'Elemental Forms' Set Cambodian Artist Sopheap Pich Apart

Sopheap Pich, "Cycle 2, Version 3" (2008). (Metropolitan Museum of Art)
Arts
Bansie Vasvani analyzes the distinctive qualities of the artist's work, now on view as part of New York City's "Season of Cambodia" festival.
June 12th by Bansie Vasvani

Multimedia: Artist Imran Qureshi Creates 'Dialogue' in Site-Specific Installations

Imran Qureshi working on his site-specific painting at Asia Society Museum in 2009. (Asia Society/Bill Swersey)
Arts
As the acclaimed Pakistani artist returns to New York City with a major new installation, a look back at his work for Asia Society Museum in 2009.
May 14th by Asia Society

For Heritage Month, Remembering 'One of a Kind' Painter Yasuo Kuniyoshi

Yasuo Kuniyoshi in his studio at 20 East 14th Street in New York City on October 31, 1940. (Max Yavno/W.P.A./Archives of American Art)
Arts
An "enemy alien" during WWII, he later became the first living American painter to get a solo exhibition at the Whitney.
May 10th by Farisa Khalid

Asia Society India Centre Offers Spectacular Art Getaway at 2013 Sharjah Biennial

Wael Shawky's "Dictums 10:120," above, is a Sharjah Biennial 11 installation featuring 32 live performers. (Sharjah Art Foundation)
Arts
This weekend, Asia Society India Centre offers access to one of the most important contemporary art venues.
April 17th by Farisa Khalid

Asia Society Hong Kong Artist Talk Showcases Japanese Painter Hiroshi Senju

Painter Hiroshi Senju at work, from his video profile. (http://www.youtube.com/watch?feature=player_embedded&v=8SP7tbMRCCQ#!)
Arts
This Wednesday, Asia Society Hong Kong offers a chance to hear renowned contemporary artist Hiroshi Senju discuss his career and creative vision.
April 15th by Farisa Khalid

Photos: Exquisite 'Shahnameh for the Digital Age' Embodies 1,000 Years of Tradition

Hamid Rahmanian and Ahmad Sadri's "Shahnameh" is a spectacular new illustrated edition of the Persian classic written by Ferdowsi more than 1,000 years ago. (Hamid Rahmanian)
Arts
In pictures: A stunning new rendition of the Persian national epic encompasses traditional styles dating back hundreds of years.
March 6th by Asia Society

Guggenheim's 'No Country' Exhibit Bound for Asia Society Hong Kong in Fall

Navin Rawanchaikul, "Tuk Tuk Goes to NY" (2001), interactive sculpture commissioned by Asia Society Museum. Rawanchaikul features in the new Guggenheim Museum exhibition "No Country: Contemporary Art for South and Southeast Asia," which travels to Asia Society Hong Kong in fall 2013. (Navin Rawanchaikul and Navin Production Co. Ltd.)
Arts
A new group exhibition encompasses 22 artists and collectives from the Indian subcontinent, Indonesia, Malaysia, Myanmar, the Philippines, Singapore, Thailand and Vietnam.
February 26th by Elaine Merguerian

Gallery: Hand-Drawn Indian Movie Posters Convey 'Passion, Power and Immediacy'

Ramachandraiah and Raju's poster for the 2012 Bollywood caper "Bol Bachchan." (Asia Obscura)
Arts
Traveling in South India, filmmaker and blogger Andy Deemer discovered a kind of outsider art that is routinely dismissed as "urban blight."
February 7th by Farisa Khalid

Interview: After Busan Biennale, Yale Art Historian Urges Art World to Think Local

Sung Hyo-sook, "Requiem" (2012), at the Busan Biennale in Busan, South Korea on September 22, 2012. (elsara elsara/Flickr)
Arts
Reflecting on his experience at the 2012 Busan Biennale in South Korea, art historian David Joselit shares his thoughts on the future of an increasingly globalized art world.
February 7th by Farisa Khalid

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