The Art of Impermanence: Japanese Works from the John C. Weber Collection and Mr. and Mrs. John D. Rockefeller 3rd Collection
Impermanence is a pervasive subject in Japanese thought and art. Through masterpieces of calligraphy, painting, sculpture, ceramics, lacquers, and textiles drawn from two of America’s greatest Japanese art collections, this exhibition examines Japan's unique and nuanced references to transience. Objects span from the Jōmon period to the twentieth century. From images that depict the cycle of the four seasons and red Negoro lacquer worn so it reveals the black lacquer beneath, to the gentle sadness evoked in the words of wistfully written poems, the exhibition demonstrates that much of Japan's greatest art alludes directly or indirectly to the transient nature of life.
MEMBERS-ONLY RECEPTION AND LECTURE
The Art of Impermanence
Tuesday, February 11, 2020 • 6-9 p.m.
Reception from 6-8 p.m.
Members-only lecture: 6:30-7:30 p.m.
Galleries open until 9 p.m.
Docent-led tours at 6, 6:45, and 7:45 p.m.
As part of the members' opening reception and activities, Adriana Proser, John H. Foster Senior Curator of Traditional Asian Art at Asia Society and curator of “The Art of Impermanence” will examine themes drawn from the exhibition.
Wednesday, March 11, 2020 • 6:30-8 p.m.
Curator Sinéad Vilbar explores how commentaries on Buddhist scripture and the production of poetry in Japan communicated the ephemeral nature of human existence.
Tuesday, March 31, 2020 • 6:30-8 p.m.
Archaeologist Simon Kaner examines the concept of impermanence as suggested by the monuments of preliterate prehistoric Japan.
Friday, April 24, 2020 • 6:30-8 p.m.
Art historian Melissa McCormick explores the role of fans in Japanese warrior culture, from talisman to icons of ephemerality.
Support for “The Art of Impermanence: Japanese Works from the John C. Weber Collection and Mr. and Mrs. John D. Rockefeller 3rd Collection” comes from the Japan Foundation and an anonymous donor.
Support for Asia Society Museum is provided by Asia Society Global Council on Asian Arts and Culture, Asia Society Friends of Asian Arts, Arthur Ross Foundation, Sheryl and Charles R. Kaye Endowment for Contemporary Art Exhibitions, Hazen Polsky Foundation, Mary Griggs Burke Fund, Mary Livingston Griggs and Mary Griggs Burke Foundation, New York City Department of Cultural Affairs, and New York State Council on the Arts.