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      • Australia
      • Azerbaijan
      • Bahrain
      • Bangladesh
      • Bhutan
      • Brunei
      • Cambodia
      • Central Asia
      • China
      • Cook Islands
      • Cyprus
      • East Asia
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      • Fiji
      • French Polynesia
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      • Guam
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      • Hong Kong
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      • Indonesia
      • Iran
      • Iraq
      • Israel
      • Japan
      • Jordan
      • Kazakhstan
      • Kiribati
      • Kuwait
      • Kyrgyzstan
      • Laos
      • Lebanon
      • Macau
      • Malaysia
      • Maldives
      • Marshall Islands
      • Micronesia
      • Mongolia
    • Column Three
      • Myanmar
      • Nauru
      • Nepal
      • New Caledonia
      • New Zealand
      • Niue
      • North Korea
      • Northern Marianas
      • Oceania
      • Oman
      • Pakistan
      • Palau
      • Palestine
      • Papua New Guinea
      • Philippines
      • Qatar
      • Samoa
      • Saudi Arabia
      • Singapore
      • Solomon Islands
    • Column Four
      • South Asia
      • Southeast Asia
      • South Korea
      • Sri Lanka
      • Syria
      • Taiwan
      • Tajikistan
      • Thailand
      • Tibet
      • Tokelau
      • Tonga
      • Turkey
      • Turkmenistan
      • Tuvalu
      • United Arab Emirates
      • Uzbekistan
      • Vanuatu
      • Vietnam
      • Wallis and Futuna
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      • Yemen
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Film Series: Faces of Tsai Ming-Liang

Still from Face (2009). (© W. Laxton)

 

CITI Series on Asian Arts and Culture presents

Faces of Tsai Ming-Liang

Co-presented with Taipei Economic and Cultural Office in New York

November 13-21, 2009
Asia Society and Museum
725 Park Avenue
New York, NY 10021 

One of world cinema's most significant auteurs, Tsai Ming-Liang, Malaysian-born and Taiwan-based, is a regular at the most renowned film festivals including Cannes, New York, Venice, Toronto, and Berlin, where his films have garnered major awards. Called a “poet of urban anomie” (New York Times), Tsai has created a uniquely coherent oeuvre and film language to express ideas of desire, alienation, loss, and emotional bankruptcy, punctuated by moments of absurdist humor.

"Contemporary cinema’s reigning poet of solitude”—Jared Rapfogel, Cineaste
"Tenderly absurdist and deeply humanist vision” —Leslie Camhi, New York Times

Box Office:
Phone: 212-517-ASIA
Web: https://tickets.asiasociety.org

Listen to Tsai Ming-Liang's WNYC Interview


 

Rebels of the Neon God (1992/106 min./35mm)
Friday, Nov. 13, 6:45 pm

The director’s first feature film, Rebels introduces us to the recurring character Xiao Kang, played by Lee Kang-Sheng, who has appeared in every single Tsai film. An aimless and mostly silent high school delinquent, Xiao Kang roams the streets of Taipei following a stranger. In Mandarin with English subtitles.

Tokyo Film Festival – Bronze Sakura award

Watch the trailer (Spanish subtitles):

 

Sunday, Nov. 15, 2:00 pm

A Taiwanese director makes a film based on the myth of Salomé at the Louvre. Language barriers and the sudden news of the passing of the filmmaker’s mother in Taipei threaten the completion of the film. A surreal picture traversing time and space, the film features an all star ensemble cast including French New Wave regulars Jean-Pierre Léaud, Jeanne Moreau, as well as Fanny Ardant, Lee Kang-Sheng, and supermodel Laetitia Casta. In Mandarin and French with English subtitles.

Short post-screening Q&A with director Tsai Ming-Liang and actor Lee Kang-Sheng.

Face by Tsai Ming-Liang has been commissioned and co-produced by the Musée du Louvre as opus 1 of the new series “The Louvre Invites Filmmakers.” This preview is co-presented with the International Council of the Louvre.

Watch a trailer

 

Discussion: Conversation with Tsai Ming-Liang
with Special Guest Actor Lee Kang-Sheng

Sunday, Nov. 15, 5:15 pm

Director Tsai Ming-Liang discusses his films and creative process, interviewed by La Frances Hui, Senior Program Officer of Cultural Programs, Asia Society. Joining the discussion is actor Lee Kang-Sheng, who is the star of all Tsai films.

 

Vive L’Amour (1994/118 min./35mm)
Tuesday, Nov. 17, 6:45 pm

Three characters cross paths in a vacant Taipei apartment without ever really connecting. Vive reveals the isolation urban dwellers experience despite sharing the same claustrophobic space. The memorable end evokes the sense of ennui and urban decay that permeates Antonioni’s films. In Mandarin with English subtitles.

Short post-screening Q&A with director Tsai Ming-Liang and actor Lee Kang-Sheng.

Venice International Film Festival – Golden Lion Award
Golden Horse Film Festival – Best Director Award, Best Film Award

“The finest – the most rigorous, the most disciplined, the most fully thought and felt.”—Robin Wood, Film International

 

The Hole (1998/95 min./35mm)
Saturday, Nov. 21, 3:00 pm

Days before the new millennium, Taipei is plagued by an epidemic that causes people to behave like cockroaches. A few residents of an apartment complex have refused to evacuate. A man and a woman are connected by a hole between their apartments formed by an unending water leak. Occasional outbursts of surreal musical numbers break the silence between them and reveal suppressed desires. In Mandarin with English subtitles.

Cannes Film Festival – FIPRESCI Award
Chicago International Film Festival – Gold Hugo Best Film Award

“[A] daring combination of realism and apocalyptic vision, desperation and joy, austerity and glamour”—Karen Durbin, The New York Times

 

What Time Is It There? (2001/116 min./35mm)
Saturday, Nov. 21, 5:00 pm

A woman on her way to Paris buys a two-time zone watch from a street vendor, who then obsessively sets all clocks to Paris time. Shot in both Taipei and Paris, the film pays homage to the French New Wave, with an unforgettable appearance by Jean-Pierre Léaud, the star of The 400 Blows and many other Truffaut films. In Mandarin with English subtitles.

Chicago International Film Festival – Best Director Award, Grand Jury Prize
Asia-Pacific Film Festival – Best Director Award, Best Film Award

“The most emotionally haunted of his films.”—Roger Clarke, Sight and Sound

 

This film series is funded, in part, by the New York State Council on the Arts. Additional support is provided by Hotel Roger Smith New York.

 

Interview: Tsai Ming-Liang interviewed by WNYC, Nov. 17, 2009

 


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