Reception for Site Lines: Artists Working in TexasVIEW EVENT DETAILS
Join Asia Society Texas to celebrate the opening of Site Lines: Artists Working in Texas. Featuring five artists who are based in Texas, Site Lines draws connections between Asia and cities such as Austin, Dallas, Tyler, and Houston. The works of Ambreen Butt, Abhidnya Ghuge, Beili Liu, Jun Nguyen-Hatsushiba, and Prince Varughese Thomas address themes such as the value of work, cultural memory, and the importance of place.
Visit with the artists over drinks and light bites and receive a FREE preview of the exhibition.
About the Artists
Ambreen Butt was born in Lahore, Pakistan, and received her BFA in traditional Indian and Persian miniature painting from the National College of Arts in Lahore. She moved to Boston in 1993 and attended Massachusetts College of Art and Design earning her MFA in painting in 1997. Her work has been featured in solo and group exhibitions, both nationally and internationally. Institutions that have exhibited her work include the National Museum of Women in the Arts, Washington DC; Museum of Fine Arts, Boston; Brooklyn Museum; USC Pacific Asia Museum, Pasadena, California; Fridericianum, Kassel, Germany; and the National Art Gallery in Islamabad, Pakistan.
She has been the recipient of awards including a Joan Mitchell Foundation grant, and a grant from the Canada Council for the Arts, Ontario, Canada. In 1999, she was the first recipient of the James and Audrey Foster Prize from the Institute of Contemporary Art in Boston, in addition to being an artist-in-residence at the Isabella Stewart Gardner Museum that same year. Her work is included in public and private collections including the Brooklyn Museum, the Museum of Fine Arts, Boston, the Institute of Contemporary Art in Boston, the Library of Congress in Washington, DC, and the Minneapolis Institute of Art, among others.
Ambreen Butt lives and works in Southlake, Texas.
Abhidnya Ghuge is a multidisciplinary installation artist who hand carves large-scale woodblocks to print on thousands of paper plates to create site-responsive installations. Matters such as the value of life and relationships, the disposability of life, the dignity of labor, and the power of human gatherings to create change are the focus of these installations. In addition, Ghuge’s drawings are visual representations of relational portraits created using archival ink, watercolors, and gouache. These drawings celebrate patterns and organic forms, allowing for rich sensory and spatial experiences.
Born in Mumbai, India, a dermatologist by previous profession, Ghuge draws inspiration from Indian henna designs, both the microscopic and macroscopic worlds, and the current cultural landscape of America. Ghuge is an Adjunct Instructor at the Department of Art and Art History at the University of Texas at Tyler. Ghuge has shown her work in solo shows including the Tyler Museum of Art, Tyler, Texas; Crow Museum of Asian Art, Dallas; Maryland Art Place, Baltimore; Women and Their Work Gallery, Austin; and others. Her work is included in public and private collections in the U.K., U.S.A., and India.
Beili Liu is a visual artist who has exhibited at venues such as the Hå Gamle Prestegard, Norway; Hua Gallery, London; Galerie an der Pinakothek der Moderne, Munich; Elisabeth de Brabant Art Center, Shanghai; and the Chinese Culture Center, San Francisco. Liu’s work has been showcased in exhibitions and performances at the Detroit Institute of Arts; Hangzhou Fiber Art Triennial; National Museum for Women in the Arts, Washington, D.C.; Museum of Southeast Texas; Kaunas Biennale, Lithuania; and others.
Beili Liu is a 2016 Joan Mitchell Painters and Sculptors Grant recipient. She was designated the 2018 Texas State Artist in 3D medium by the Texas State Legislature and the Texas Commission on The Arts. Liu has been awarded artist residency fellowships from the Joan Mitchell Center, MASS MoCA, Facebook AIR, Fiskars AIR, Djerassi Foundation, and Fundación Valparaíso, Spain, among others.
Born in Jilin, China, Beili Liu now lives and works in Austin, Texas. Liu received her MFA from the University of Michigan, Ann Arbor, and is a Professor of Art at the University of Texas at Austin.
Jun Nguyen-Hatsushiba was born in Tokyo to a Vietnamese father and a Japanese mother. Growing up and being educated in Japan and the USA, he earned his BFA from the School of Art Institute of Chicago in 1992 and then his MFA in the Maryland Institute College of Art in 1994. Nguyen-Hatsushiba, after 18 years of working in Vietnam, is now residing and creating artworks in Houston.
In 2001, his first underwater film project, Memorial Project Nha Trang, Vietnam: Towards the Complex – For the Courageous, the Curious and the Cowards was shown at the 1st Yokohama Triennial. He was then commissioned to create a series of underwater films, including a memorial for Minamata disease patients and a multinational history based in 1972 Okinawa (Japan, Vietnam, and USA).
His works are often generated from multiple landscapes of thoughts combining unlikely, sometimes surprising mixtures into existing contexts of local history and issues. In his most recent film, The Master and the Slave: Inujima Monogatari filmed at Inujima island in Setouchi, Japan, he attempts to revive Inujima’s history through Japan’s national sport of baseball, played inside the last stone quarry of the island. A batter and a pitcher confront each other, but with a romantic endeavor of hitting the stones out from the smaller island to the mainland of Japan.
Jun Nguyen-Hatsushiba has exhibited in numerous international triennials and biennales including Venice, Istanbul, Sao Paulo, Sydney, Shanghai, Yokohama, and Guangzhou. One can also find his works in the public collections of institutions such as the Centre Georges Pompidou in Paris, Solomon R. Guggenheim Museum in New York, and Mori Art Museum in Tokyo.
Prince Varughese Thomas is an Indian immigrant, born in Kuwait, partly raised in India, and naturalized in the United States. His studio practice is informed by his ethnicity and facing racial prejudice throughout his life. From the Iran Hostage crisis in the 70s, to aggressions in Libya in the 80s, to the first Gulf War in the 90s, and then 9/11, each decade of his life has been marked with prejudice that has been projected on to him by the dominant culture. This experience through his formative years to adulthood has directly affected how he looks at society with open eyes and as he attempts to investigate places that he finds worthy of critique, exploration, and making art. With an educational background and degrees in both Psychology and Art, Thomas investigates and deconstructs complex issues from the interstices in personally expressive ways that humanize his subjects while incorporating a variety of photographic, video, drawing, and installation techniques into his artwork.
A winner of the Time-Based Media in Art Prize 7 and a Texas Biennial Artist, Thomas has been invited to exhibit his work and be a visiting artist, lecturer, panelist, and workshop instructor at numerous institutions including Ashkal Alwan, Beirut, Lebanon; the Station Museum of Contemporary Art; the Atlanta Contemporary; the Light Factory, Charlotte; and the Queens Museum. Thomas’ work has been exhibited in over 200 solo and group exhibitions at numerous museums and galleries. His work is represented in various public collections including the Museum of Fine Arts, Houston. Thomas received his B.A. in Psychology from the University of Texas at Arlington, and M.F.A. from the University of Houston. He is currently a Professor of Art at Lamar University.
This exhibition is organized by Asia Society Texas Center. Exhibitions at Asia Society Texas Center are presented by Wells Fargo. Major support comes from Chinhui Juhn and Eddie Allen, Nancy C. Allen, and Leslie and Brad Bucher, as well as The Brown Foundation, Inc., Houston Endowment, and the City of Houston through the Houston Arts Alliance. Generous funding also provided by The Clayton Fund, Texas Commission on the Arts, Wortham Foundation, Inc., The Franci Neely Foundation, Olive Jenney, Nanako and Dale Tingleaf, and Ann Wales. Funding is also provided through contributions from the Exhibitions Patron Circle.
1370 Southmore Boulevard
Houston, TX 77004