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With fifty-four superlative Asian artworks spanning the tenth to twenty-first centuries, this international loan exhibition explores portrayals of hell and conceptions of the afterlife across Buddhism, Hinduism, Jainism, and Islam.
Presenting nearly seventy of the finest examples of Asian art in the United States, the exhibition showcases the extraordinary range of artworks thoughtfully assembled by John D. Rockefeller 3rd and his wife Blanchette Hooker Rockefeller.
Presenting nearly seventy of the finest examples of Asian art in the United States, the exhibition showcases the extraordinary range of artworks thoughtfully assembled by John D. Rockefeller 3rd and his wife Blanchette Hooker Rockefeller.
This exhibition celebrates the life of Harold (Hal) J. Newman and honors the Newman family for their generosity and support of Asia Society Museum’s ongoing efforts to remain at the forefront of collecting contemporary Asian art.
This exhibition presents 19 artworks by seven artists, born in mainland China in the 1980s, reflecting the dramatic economic, political, and cultural shifts the artists have experienced in China during their lifetimes.
Rahraw Omarzad’s video depicts a woman sequestered in a windowless space. Her struggle with the restricting barriers of a black cloth and her chadri (or burqa) reflects the crippling effects a dictatorial regime has on the psyche.
Araya Rasdjarmrearnsook’s practice addresses the dichotomies of life and death, the search for autonomy within cultural constraints, and notions of identity and difference examined through class hierarchies and regional idiosyncrasies.
Presenting nearly seventy of the finest examples of Asian art in the United States, the exhibition showcases the extraordinary range of artworks thoughtfully assembled by John D. Rockefeller 3rd and his wife Blanchette Hooker Rockefeller.
UuDam Tran Nguyen’s video “Waltz of the Machine Equestrians” is a witty examination of the social and environmental effects of the rapid urbanization occurring throughout Vietnam.
