Broadcast journalist Dan Harris reflects on how Buddhist meditation helped him recover from a career setback — and gave him the story of his life.
A new group exhibition encompasses 22 artists and collectives from the Indian subcontinent, Indonesia, Malaysia, Myanmar, the Philippines, Singapore, Thailand and Vietnam.
Bo Wang's "China Concerto," which made its U.S. debut at the Museum of Modern Art last week, takes a critical look at the culture of spectacle in contemporary China.
A literature festival becomes a political statement in a city where bomb blasts, like thunderstorms, have become part of the natural order.
Introducing new novel at the Karachi Literature Festival, one of Pakistan's leading younger writers says, "You have to find new ways of telling stories."
In an interview with ChinaFile's Jonathan Landreth, filmmaker Ole Schell discusses his film about Lil Buck, a street dancer from Memphis who collaborated with cellist Yo-Yo Ma in China.
A New York Times review of Asia Society's Wu Man and The Knights concert cites "gutsy renditions" of classic pieces and "exquisite expression" onstage.
An international arts collaboration that bridges Brazil to Beijing and beyond, is now coming to New York.
Traveling in South India, filmmaker and blogger Andy Deemer discovered a kind of outsider art that is routinely dismissed as "urban blight."
Reflecting on his experience at the 2012 Busan Biennale in South Korea, art historian David Joselit shares his thoughts on the future of an increasingly globalized art world.
Indian public intellectual Ashis Nandy faced a police inquiry into his remarks about caste and corruption — but his isn't an isolated case.