The Cambodian chapei dong vong (long-neck guitar) master's performance at Asia Society New York — now available in full — gets a shout out from the New York Times.
In her New York Times review of Asia Society's Wu Man and The Knights concert, published today, Corinna da Fonseca-Wollheim cites "gutsy renditions" of classic pieces and the "exquisite expression" on stage.
Six former and current New York Times China correspondents gathered at Asia Society New York to discuss what's changed, what's stayed the same, and where it's all headed.
Dane Chamorro, Asia-Pacific director for global risk analysis at the independent consultancy Control Risks, explains why businesses need to "do their homework" — and why some cyberattacks are inevitable.
Jeffrey Wasserstrom and Rachel Beitarie reply to Nicholas Kristof's New York Times piece predicting that Xi Jinping will spearhead a resurgence in economic reforms.
What do Jay-Z, The Rolling Stones, Nicki Minaj, Fiona Apple, Neil Young, and Pakistani musical legend Arif Lohar have in common? They all made The New York Times list of the best concerts of 2012.
New York Times critic Karen Rosenberg reviews Asia Society's 'Revolutionary Ink: The Paintings of Wu Guanzhong,' a retrospective of one of China's most loved artists.
In a private staff meeting Tuesday at Asia Society New York, Vishakha Desai, president of the global non-profit organization since 2004, announced plans to leave Asia Society and pursue other professional opportunities.