In her New York Times review of Asia Society's Wu Man and The Knights concert, published today, Corinna da Fonseca-Wollheim cites "gutsy renditions" of classic pieces and the "exquisite expression" on stage.
Reflecting on his experience at the 2012 Busan Biennale in South Korea, art historian David Joselit shares his thoughts on the future of an increasingly globalized art world.
Indian public intellectual Ashis Nandy faced a police inquiry into his remarks about caste and corruption at the DSC Jaipur Literature Festival — but his isn't an isolated case.
Yin Mei puts masks, movement, puppetry and text in "conversation" with a famous documentary to re-imagine the Cultural Revolution onstage. Live performance at Asia Society New York this Sunday, January 13.
Author Jonathan Campbell says that if Chinese rock 'n' roll were to take off globally, he hopes it would be in "a more serious way" than just "a crazy video with a silly dance."
"I consider Indians writing in English as writers, first and foremost," says award-winning author and journalist Hari Kunzru. In-person appearance at Asia Society New York on January 10.
Award-winning novelist Manu Joseph says of his latest book, The Illicit Happiness of Other People, "I haven't made up anything." In-person appearance at Asia Society New York on January 10 and at Asia Society Texas Center on January 15.
From 1970 to 1991, Gordon served as Asia Society's director of performing arts and then later director of performances, films and lectures. But Asia Society was just one chapter in a remarkable life.