Worldwide Locations

Worldwide Locations

Category: Arts

Burmese filmmaker Midi Z, above, receives his first American retrospective at Asia Society New York from March 6 through 13, 2015.

Video: Serene Yet Formidable, a Kneeling Earth Goddess Wrings Out Her Hair

A new video gives insights into the Earth Goddess (Vasudhara) featured in Asia Sociey Museum's exhibition
ArtsMultimedia

Sylvia Fraser-Lu, guest curator for the Asia Society Museum exhibition Buddhist Art of Myanmar, relates the back story behind a "wonderful, solid, dignified, firmly rooted" Earth Goddess (Vasudhara).

First Reviews for 'Buddhist Art of Myanmar' Hail a 'Sculptural Nirvana'

Vishnu; Pagan period, 11th–12th century; Bronze; H. 14 x W. 7 x D. 4 in. (35.6 x 17.8 x 10.2 cm). National Museum, Yangon. (Sean Dungan)
Arts

"It would be wonderful to see shows like this more frequently," says The Guardian about Asia Society Museum's new exhibition — while The New York Times declares flatly, "the show is a find."

Video: A 'Miraculous Conception' Cast in Sandstone Makes Its Way From Myanmar

On loan from the Bagan Archeological Museum in Myanmar,
ArtsMultimedia

Donald M. Stadtner, a guest curator of the Asia Society Museum exhibition Buddhist Art of Myanmar, shares his insights into an intricately wrought sandstone sculpture depicting the Buddha's entry into the world.

Book Excerpt: 'Discontent and Its Civilizations' by Mohsin Hamid

ArtsCurrent Affairs

"The idea that we fall into civilizations, plural, is merely a politically convenient myth," writes Moshin Hamid in the title essay of his new collection. Author talk at Asia Society New York on February 23.

Interview: Mohsin Hamid Traces 'Discontent' Across Cultures in Globe-Trotting New Collection

Author Mohsin Hamid at an Asia Society India Centre dinner in Mumbai on Dec. 2, 2011. (Asia Society India Centre)
ArtsCurrent Affairs

"There are writers in Pakistan who are far braver than I am," says the acclaimed novelist, ahead of his February 23 talk at Asia Society New York.

Interview: Singer-Composer Finds the 'Sublime' in Straying Beyond Musical Boundaries

Kiran Ahluwalia. (Sahiba Kaur Chawla)
Arts

Ahead of her February 21 Robert Browning and Asia Society concert, virtual one-woman musical genre Kiran Ahluwalia discusses influences, inspirations, and the unforgettable experience of shooting a music video on the Ganges River.

Interview: In Houston, Career Survey Highlights Artist Mel Chin's Engagement with Asia

Artist Mel Chin at the opening of his exhibition at Asia Society Texas Center in Houston on January 17, 2015. (Jeff Fantich)
Arts

Recently named one of artnet's "50 Most Exciting Artists of 2014," American conceptual artist Mel Chin is the subject of a four-decade traveling retrospective now on view at Asia Society Texas Center.

Interview: Pakistani Performer Uncovers Comedy in Taboos, Cultural Crossover

Nadia Parvez. (Leslie Van Stelten)
ArtsCurrent AffairsLifestyle

The creator of a riotous one-woman play about Pakistanis navigating their way through Western society acknowledges her success but adds, "My story is just one — more stories are needed."

When Arts and Policy Intersect: The Story Behind 'Buddhist Art of Myanmar'

Asia Society Trustee Tom Freston poses with Aung San Suu Kyi after presenting her with the Asia Society's Global Vision award at the U.S. Institute of Peace in Washington, D.C., on Sept. 18, 2012. (Asia Society/Joshua Roberts)
ArtsCurrent AffairsPolicy

The story of how Asia Society's behind-the-scenes policy engagement early in Myanmar's reforms led to a historic art exhibition.

Multimedia: Arts Leaders See Technology, Greater Inclusiveness as Key Factors in 21st-Century Museums

Richard Armstrong, Melissa Chiu, Tom Finkelpearl, and Peggy Loar at Asia Society New York on January 29, 2014. (Elsa Ruiz/Asia Society)
Arts

At the launch event for Asia Society's latest publication, the heads of the Guggenheim and Hirshhorn Museums and the New York City Department of Cultural Affairs discussed museum education, diversity, technology, and the rise of museums in Asia.