With the benefit of hindsight, it's more apparent than ever that the inveterate artist-inventor-tinkerer, who died in 2006, anticipated some of the most compelling inventions of the information age.
Broadcast on New Year's Day 1984, the artist's genre-bending collage of live performances by pop musicians and avant-garde icons embodied his belief in technology's potential to "democratize" art.
Shiva Ahmadi offers insights into her animation Lotus, now on view at Asia Society Museum, expanding on the work's political undertones, stylistic inspirations, and the physical process of production.
On the eve of his exhibition at Asia Society Texas Center, photographer Kirk Pedersen expounds on his belief that "ordinary things can be beautiful too."
A regular, sustained exchange of ideas and values would signal to Afghan youth that this time, the U.S. isn't about to forget them.
Mohsen Vaziri-Moqaddam shares the inspiration behind his trailblazing interactive sculpture, begun in 1969 and now on view in Asia Society Museum's Iran Modern exhibition.
Asia Society joins the art community in mourning the loss of Karin Higa, a distinguished curator of Asian American art.
Fereshteh Daftari, co-curator of Asia Society Museum's Iran Modern exhibition, shares her insights into the inception, curation and themes of the art on view.
Michelle Yun, Curator of Modern and Contemporary Art at Asia Society Museum, and her team set up Mohsen Vaziri-Moqaddam's otherworldly Untitled sculpture for the Iran Modern exhibition.
Bansie Vasvani analyzes the distinctive qualities of the artist's work, currently on view in New York City as part of the Season of Cambodia festival.
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