Focusing on lives of women in contemporary Iran, this mini-film series presents portraits of strong women negotiating their space and freedom in a narrow world of strict social conventions.
Co-presented by Asia Society and the Global Film Initiative
All screenings at:
725 Park Avenue at 70th Street
New York, NY 10021
Manijeh Hekmat. Iran. 2002. 106 min. 35mm.
Friday, October 23, 2009, 7:00 pm
Banned in Iran, this taboo-breaking film uses the
claustrophobic life of women behind bars as a metaphor for Iranian society
since the 1979 Islamic Revolution. Covering a span of almost two decades, the
film centers on the relationship between an inmate who is jailed for killing a
violent stepfather and a warden who is at once stern and humane. As time goes,
we see changes in Iranian society reflected in the microscopic world of one
prison. Part of the Global Film Initiative’s Global Lens collection.
"Riveting. One of Iran’s most prominent female filmmakers."—Jonathan Curiel, San Francisco Chronicle
"Chilling...controversial. A compelling sociological portrait."—Alissa Simon, Senses of Cinema
The Day I Became a Woman
Marziyeh Meshkini. Iran. 2000. 78 min. 35mm.
Friday, October 30, 2009, 7:00 pm
Three loosely connected short stories portray
women in three stages of life—a young girl who is about to turn nine, the age
of womanhood, when she will have to wear the chador and stop playing with boys;
a young woman who enters a cycling race against the objections of all the men
in her clan; an elderly woman who takes the biggest shopping trip in her life
to buy all she has ever wanted. Stunningly shot on the free-trade island of
Kish in the Persian Gulf, the film is written by internationally acclaimed
filmmaker Mohsen Makhmalbaf, husband of the filmmaker.
“Wonderful stories, great pieces of cinema and, above all, warmly human works.”—Jamie Russell, BBC
“[A] stunner of a film”—Stephen Holden, New York Times
Kambozia Partovi. Iran. 2005. 105 min. 35mm.
Friday, November 6, 2009. 7:00 pm
A young widowed mother takes a defiant stand and
runs her late husband’s restaurant against the threat of men in her community
to shut down her business. Hiding in the kitchen so that her customers do not
see her, this woman struggles for independence and against a rigid society.
Taking place on the Iran-Turkey border, the film reveals an unusual landscape
where Iranian and Western societies converge. Director Partovi also wrote The
Circle (2000), which won Venice International Film Festival’s Golden
Lion award. Part of the Global Film Initiative’s Global Lens collection.
"A memorable portrait of one woman in Iran—and, by extension, of the bleak sorrows of millions of women's lives.”—Louise Kennedy, Boston Globe
For stills, screeners, and access to the films, please contact 212-327-9271 or firstname.lastname@example.org.
Tickets for individual films are: $7 members/students/seniors; $11 nonmembers. Members of the public interested in purchasing tickets or more information, should call (212) 517-ASIA or visit www.AsiaSociety.org/womenofiran.
About the Asia Society
Asia Society is the leading global and pan-Asian organization working to strengthen relationships and promote understanding among the people, leaders and institutions of the United States and Asia. The Society seeks to increase knowledge and enhance dialogue, encourage creative expression, and generate new ideas across the fields of policy, business, education, arts and culture. Founded in 1956 by John D. Rockefeller 3rd, Asia Society is a nonprofit educational institution with offices in Hong Kong, Houston, Los Angeles, Manila, Melbourne, Mumbai, New York, San Francisco, Seoul, Shanghai, and Washington, DC.
Asia Society Museum is located at 725 Park Avenue (at 70th Street), in New York City.
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