Women in Traditional China

A group of Beijing women pose in the courtyard of a wealthy Chinese home. (Okinawa Soba/flickr)

A group of Beijing women pose in the courtyard of a wealthy Chinese home. (Okinawa Soba/flickr)


By the end of the Han period, the Confucian vocabulary for talking about women, their natures, their weaknesses, and their proper roles and virtues was largely established. The durability of these ways of thinking undoubtedly owes much to continuities in the family system, which from Han times on was patrilineal, patrilocal, and patriarchical, and allowed concubinage. At marriage a woman had to move from the household of her father to that of her husband’s parents. Given the importance assigned to continuing the ancestral sacrifices through patrilineal descendants, a wife’s standing within her family of marriage depended on the birth of male heirs. Yet, because of the practice of concubinage, even if a wife bore sons, her standing could be undermined if her husband took concubines who also bore sons. Thus, so long as the family system continued without major change, women would continue to resort to strategies that seemed petty or threatening to men, and not until a woman became a grandmother was she likely to see the interests of the family in the same way men in the family did. To most of those who left written record, however, the problem did not lie in the family system, but in moral lapses. Thus, moralists held up models of self-sacrificing women for emulation, women who adhered to principles of loyalty, chastity, and faithfulness, often at great personal cost.

By Song (960-1279) times, historical sources are diverse enough to see that women undertook a wide range of activities never prescribed in Confucian didactic texts. There were widows who ran inns, midwives delivering babies, pious women who spent their days chanting sutras, nuns who called on such women to explain Buddhist doctrine, girls who learned to read with their brothers, farmers’ daughters who made money by weaving mats, childless widows who accused their nephews of seizing their property, wives who were jealous of the concubines their husbands brought home, and women who drew from their dowries to help their husband’s sisters marry well.

It is often said that the status of women began to decline in the Song period, just when Neo-Confucianism was gaining sway. The two signs of this decline most frequently mentioned are the pressure on widows not to remarry and the practice of binding young girls’ feet to prevent them from growing more than a few inches long. Foot binding seems to have steadily spread during Song times, and explanations for it should be sought in Song circumstances, but widow chastity had very little specific connection to the Song, the idea predating the Song and the exaggerated emphasis on it developing much later.

Foot binding was never recommended by Confucian teachers; rather, it was associated with the pleasure quarters and with women’s efforts to beautify themselves. Mothers bound the feet of girls aged five to eight, using long strips of cloth. The goal was to keep their feet from growing and to bend the four smaller toes under to make the foot narrow and arched. Foot binding spread gradually during Song times but probably remained largely an elite practice. In later centuries, it became extremely common in north and central China, eventually spreading to all classes. Women with bound feet were less mobile than women with natural feet, but only those who could afford servants bound their feet so tight that walking was difficult.

By contrast, the idea of widow chastity was not new in Song times. Ban Zhao had written, “According to ritual, husbands have a duty to marry again, but there is no text that authorizes a woman to remarry.” The increased emphasis on widow chastity has usually been blamed on the Neo-Confucian philosopher Cheng Yi, who once told a follower that it would be better for a widow to die of starvation than to lose her virtue by remarrying. In later centuries, this saying was often quoted to justify pressuring widows, even very young ones, to stay with their husband’s family and not marry someone else. One reason widows in Yuan (Mongol) (1215-1368) and Ming (1368-1644) times might have wanted to remain with their husbands’ families is that they no longer could take their dowries into a new marriage. When the husband’s family did not want to provide support for a son’s widow, the moral stricture against remarriage would have helped the widow insist that she be allowed to stay and adopt a son.

By the early Qing period (1644-1911), the cult of widow chastity had gained a remarkably strong hold, especially in the educated class. Childless widows might even commit suicide. Young women whose weddings had not yet taken place sometimes refused to enter into another engagement after their fiancé died. Instead, they would move to their fiancé’s home and serve his parents as a daughter-in-law. Although most Confucian scholars and government officials disapproved of widow suicide and chaste fiancées, they often expressed great admiration for the determination of particular women they knew, thus helping spread the custom.

At the same time that widow chastity was becoming more prevalent, more and more women were learning to read and write. In the seventeenth and eighteenth centuries a surprising number had their poetry published. Women with poetic talents figure prominently in the great eighteenth-century novel, The Dream of Red Mansions (also called Story of the Stone). Although the male hero, Baoyu, is a young man of great sensitivity, several of his female cousins are even more talented as poets. Some women in this large fictional family have considerable power—especially the grandmother who can force her sons and nephews to do what she wants, and the daughter-in-law who handles the family’s finances. The young unmarried women, however, may have been able to acquire literary educations as good as the boys, but they had even less control over their fates than he had.

 
As in much of the rest of the world, in twentieth century China, intellectuals and social activists leveled many criticisms against the old family system and especially the ways it limited women’s chances. Foot binding, widow chastity, parental control of marriage, and concubinage have all been eliminated. It should always be kept in mind, however, that a great many women were able to fashion satisfying lives under the old system.

Yin and Yang works to a point until economics becomes a part of the scene in any industrial nation. The outcome is that dominance of Yang quickly rises to the surface to enslave yin for economic advantage. In departing from the natural order of the universe where yin and yang are in balance, and vital to each other, cutting yin out of the global picture can produce social frustration at the expense of yin to maximize economics.

Logic says this forces men to dominate women for economic advantage, an alien concept to mutual harmony, which distorts the yin and yang philosophy for sovereign purpose. It can be borne out by observing that most factories in China appear to be manned by women workers, not men workers. Enslavement of women is not a global privilege unless the society is committed to social darwinism much as animals are.

What is the point of yin and yang theory if social darwinism is the way society works? It becomes rhetoric, and unnecessary to human enlightenment because no one practices what they preach.

could you please share also your ideas about the social roles of Chinese women during kuomintang and communist authorities and also mao zedong. it will be helpful for me as a reader. I also conduct my thesis about the influence of those authorities to the women social roles...please. send it in my email. sanata dharma university, indonesia.

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