Statue of Buddha in India
Puranic and Temple Hinduism and Bhakti
The religion that we now call Hinduism—the term itself is of recent
vintage—began to take a recognizable shape in the first millennium
C.E., drawing upon Vedic roots. In this period, the epics
Mahabharata (containing the
Bhagavad Gita) and
Ramayana were composed, along with the
Puranas. The
Mahabharata recounts the tragic conflict between the Pandavas and Kauravas, while the
Ramayana
relates the tale of King Rama, who was exiled from his kingdom for 14
years in the company of his wife, Sita, and his brother Lakshman. These
epics have had a profound influence in Southeast Asia, even when
Hinduism waned as a primary religious force.
The
Puranas provide stories of the gods who were to take a
central place within the developing religion now known as Hinduism:
Vishnu, Shiva, and the Goddess, among others. The cult of Vishnu, as it
developed later, is generally accepted to be an amalgam of many smaller
traditions; these were absorbed into the overarching Vishnu tradition
through the idea of avatara, or incarnation (Vishnu is said to have 10
major incarnations who appeared in our world to save it) and into
aspects of one character (such as the various portrayals of Krishna—as
a child-god, as the charioteer in the
Bhagavad Gita, and as the
ruler of Dwarka in his adult life). The Goddess takes many forms—some
frightening and powerful, some auspicious and gentle. Parvati, Lakshmi,
Shri, Kali, and Durga are some of the names she goes by. In all forms,
she is devi, “the goddess.” Shiva, the other great deity commonly
worshipped, is the ultimate ascetic. His body is white from being
smeared with the ashes of the cremation ground—an unclean place that
reminds us of the temporary nature of existence. His hair is matted and
unkempt, and he is known to possess sometimes frightening and dangerous
yogic powers. This same god is also married to Parvati and is
intimately tied to the Goddess in her many other forms as well.
These three divinities—Vishnu, Shiva, and the Goddess—represent the
three main deities worshipped in Hindu practice. Those who worship
Vishnu are Vaishnava, those who worship Shiva are Shaiva, and those who
worship the Goddess are Shakta (from shakti, or “power,” the feminine
force the Goddess is said to possess). Brahma is not often the object
of worship. Other deities have gained in popularity, such as Ganesha
(the son of Shiva and Parvati) and Hanuman (the monkey god who aided
Rama, an avatara, or “incarnation,” of Vishnu, in the Ramayana). It is
important to note that although there are many deities represented in
the Hindu pantheon, worshippers generally consider their own deity to
be central and all-powerful; other deities are subservient to him or
her. In addition, all are often seen to be manifestations of one
central force in the universe. Many Hindus today (as in the past)
therefore see themselves as believing in a single divine presence that
takes form in endlessly diverse ways.
Temples acted as both religious and social centers in the dynamic urban
hubs of the regional kingdoms established in the wake of Gupta power
(after 500 C.E.) As regional kings and princes gained power, they often
sought legitimacy by granting Brahmins large areas from which to
collect taxes to finance temple development. Temples provided homes for
the central deity, and the images enshrined within represented the
deity and in many cases embodied it. Puja, or “worship,” of the deity,
carried out in the home as well in as the temple, became the central
focus of religious practice, representing a full transition away from
sacrifice as the primary form of practice. Puja remains a central
practice in temples all over Hindu South Asia and its diaspora.
Home-based rituals have continued to be important; in some contexts,
more so than public and congregational forms of worship.
Bhakti, or “devotion,” transformed both temple-based and personal forms
of worship. It started in southern India in the eighth century C.E.
among saints who sang of their love for god in Tamil rather than in
Sanskrit, the language of Vedic orthodoxy. The Puranic deities—Shiva,
Vishnu, and the Goddess—were the foci of radical devotion in Hinduism,
but such devotion was central in Buddhist, Jain, and other traditions
as well. Devotionalism came to influence and transform Brahminical
traditions, just as it gave voice to alternative practices and
practitioners such as women and those of lower caste. Bhakti insisted
upon the immediate, direct apprehension of the god, whether he/she is
contained within a form (such as an image) or unknowable formlessness.
The language of intimate relationships was key—poets sang of the god as
a devoted lover, parent, or child. Different social positions were
represented by bhakti poets such as Ravidas, a chamar (leather worker),
and Mirabai, a Rajasthani princess who dared to eschew familial
responsibilities in favor of devotion to her lord and god, Krishna.
Although devotionalism is associated with vernacular languages and
texts, it is also found in Sanskrit texts, most notably in the
Bhagavad Gita,
which became prominent on a popular level in the modern period. The
text describes a conversation between the hero of the Pandava clan,
Arjuna, and Krishna, incarnation of the great god Vishnu. Arjuna balks
at fighting in battle against his mentors and relatives. Krishna
discusses with him the religious and philosophical implications of his
choice, asserting the necessity for fulfilling one’s dharma (svadharma)
and performing right action without attention to the results of such
action. Devotion is identified as a viable means to enlightenment,
alongside the paths of knowledge and unattached action. At the end of
this section of the epic, Krishna reveals himself in all his glory to
Arjuna, and the path of devotion (bhakti) is revealed as a primary
means to reaching god.
VERY INFORMATIVE ARTCILE, THANKS =)
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