Worldwide Locations

Worldwide Locations

Keyword: amitav ghosh

Some Asia Society Friends Make Shortlist for South Asia's Biggest Literary Prize

Novelists Amitav Ghosh (L) and Tahmima Anam (R), shown here in their Fall 2011 appearances at Asia Society New York, are two of the writers short-listed for this year's DSC Prize for South Asian Literature.
Arts

Bangladeshi, Indian, and Pakistani novelists recently hosted by Asia Society are finalists for this year's DSC Prize for South Asian Literature.

Amitav Ghosh: Oil, Opium and the Religion of Free Trade

Jonathan Spence (L) and Amitav Ghosh (R) at Asia Society New York on Nov. 3, 2011. (Suzanna Finlay)
Arts

UPDATE: Jay Corcoran filmed some behind the scenes interviews with Amitav Ghosh, Jonathan Spence and members of the audience. (Scroll to the bottom of the page to watch.)

***

The relevance of past to present took center stage at Asia Society last night, when historical novelist Amitav Ghosh drew a provocative parallel between the Opium Wars of the 1830s and the present day.

'Chindia Dialogues' Speaker Amitav Ghosh Featured on WNYC's Leonard Lopate Show

'River of Smoke' author Amitav Ghosh, appearing at Asia Society New York on Nov. 3, 2011. (Frederick Noronha/Flickr)
Arts

Discussing the background for his new book, the acclaimed historical novelist comments, "In general, the reality of the opium trade, the part it played in forming modern capitalism and the modern world, is just obscure and occluded."

Interview: Jonathan Spence on the China-India Relationship

Yale University Sterling Professor of History Emeritus Jonathan Spence in Washington, DC in May 2010. (neh.gov)
Arts

Ahead of his November 3 Asia Society appearance, historian Jonathan Spence talks to Asia Blog about the historical nature of the Sino-Indian relationship and how the two countries may interact in the future.

Taiwanese Artist Brings Burma, 'Land of Shadows,' to Light

An image from Taiwanese artist Chien-Chi Chang's Magnum in Motion photo essay.
Policy

Taiwanese artist Chien-Chi Chang explores the paradox of Burmese society in a riveting photo essay.