Lauded by Holland Cotter in the New York Times, a new group exhibition encompasses 22 artists and collectives from the Indian subcontinent, Indonesia, Malaysia, Myanmar, the Philippines, Singapore, Thailand and Vietnam.
Bo Wang's film essay China Concerto, which made its U.S. debut at the Museum of Modern Art last week, takes a critical look at the culture of spectacle in contemporary China.
A festival devoted to reading and writing becomes a political statement in a city where bomb blasts, like thunderstorms, have become part of the natural order.
Introducing his new book at the Karachi Literature Festival, one of Pakistan's leading younger novelists says, "You have to find new ways of telling stories."
In an interview with ChinaFile's Jonathan Landreth, filmmaker Ole Schell discusses his film about Lil Buck, a street dancer from Memphis who collaborated with cellist Yo-Yo Ma in China.
In her New York Times review of Asia Society's Wu Man and The Knights concert, published today, Corinna da Fonseca-Wollheim cites "gutsy renditions" of classic pieces and the "exquisite expression" on stage.
Reflecting on his experience at the 2012 Busan Biennale in South Korea, art historian David Joselit shares his thoughts on the future of an increasingly globalized art world.