Worldwide Locations
Worldwide Locations
Worldwide Locations
Worldwide Locations
Nancy Tingley describes the heyday of Viet Nam's Hoi An, when it became "the port of choice" in Southeast Asia. (1 min., 28 sec.)
NEW YORK, February 2, 2010 - In conjunction with the opening of Asia Society Museum's Arts
of Ancient Viet Nam: From River Plain to Open Sea, curator Nancy Tingley spoke about the four
sections of this landmark exhibition, demonstrating Viet Nam to be a "center of
trade." Asia Society Museum Director Melissa
Chiu introduced Tingley, a specialist in Southeast Asian art, at a lecture on the opening day of the exhibition at Asia Society headquarters in New York.
The Dong Son and Sa Huynh cultures that occupied Viet Nam
from the first millennium BCE to the second century CE were "burial cultures," explained Tingley. "All the information that we have about them . . . comes
from burial sites." In the North, the Dong Son buried mostly bronzes. The
best known of these are the large drums used as regalia and in the afterlife. In
the South, the Sa Huynh people are known for the "very thin-walled and very
finely thrown" clay burial jars in which they interred their dead. The Sa
Huynh were an Austronesian speaking people, a group that originated in Taiwan
and settled throughout island Southeast Asia.
From the first to the fifth century CE, the polity of Funan,
in the Mekong River delta, was "the dominant trading region in Southeast Asia."
This thriving entrepot developed before the Funan people adopted
religious and political systems from India, not after, as
scholars once believed. "Beautiful" statues of the Buddha and the god
Vishnu show that Indian religions were practiced in Funan by the fifth century.
In the sixth century, the Cham kings, perhaps descended from
the Sa Huynh people, took control of trade. Tingley described the brick temples
built by the Cham on mountaintops along the coast, which served both as shrines
to the Hindu god Shiva, and lighthouses for passing ships. Tingley demonstrated
that Cham sculpture at first showed Indian influence, and later developed into
a new "very bold, powerful, kind of exuberant style."
By the sixteenth century, Hoi An, "became
the port of choice in Southeast Asia" and the site of an
international market that "lasted for about six months of the year and extended
for a mile." In 1992, a sunken ship, loaded with over 250,000 ceramics
and headed for Southeast Asia, was found off the coast of Hoi An. Tingley
concluded with a discussion of how this Cu Lao Cham shipwreck has led to a more
precise understanding of the ceramics traded at Hoi An, the most recent of
Vietnam's successive ports of call.
Reported by Lara
Netting, Asia Society Museum Getty Fellow
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